The Stream & the Sapphire by Denise Levertov
Author:Denise Levertov [Levertov, Denise]
Language: eng
Format: epub
ISBN: 9780811222402
Publisher: New Directions
Published: 2012-02-15T05:00:00+00:00
The Showings: Lady Julian of Norwich, 1342–1416
1
Julian, there are vast gaps we call black holes,
unable to picture what’s both dense and vacant;
and there’s the dizzying multiplication of all
language can name or fail to name, unutterable
swarming of molecules. All Pascal
imagined he could not stretch his mind to imagine
is known to exceed his dread.
And there’s the earth of our daily history,
its memories, its present filled with the grain
of one particular scrap of carpentered wood we happen
to be next to, its waking light on one especial leaf,
this word or that, a tune in this key not another,
beat of our hearts now, good or bad,
dying or being born, eroded, vanishing—
And you ask us to turn our gaze
inside Out, and see
a little thing, the size of a hazelnut, and believe
it is our world? Ask us to see it lying
in God’s pierced palm? That it encompasses
every awareness our minds contain? All Time?
All limitless space given form in this
medieval enigma?
Yes, this is indeed
what you ask, sharing
the mystery you were shown: all that is made:
a little thing, the size of a hazelnut, held safe
in God’s pierced palm.
2
What she petitioned for was never
instead of something else.
Thirty was older than it is now. She had not married
but was no starveling; if she had loved,
she had been loved. Death or some other destiny
bore him away, death or some other bride
changed him. Whatever that story,
long since she had travelled
through and beyond it. Somehow,
reading or read to, she’d spiralled
up within tall towers
of learning, steeples of discourse.
Bells in her spirit
rang new changes.
Swept beyond event, one longing
outstripped all others: that reality,
supreme reality,
be witnessed. To desire wounds—
three, no less, no more—
is audacity, not, five centuries early, neurosis;
it’s the desire to enact metaphor, for flesh to make known
to intellect (as uttered song
makes known to voice,
as image to eye)
make known in bone and breath
(and not die) God’s agony.
3
‘To understand her, you must imagine…’
A childhood, then;
the dairy’s bowls of clabber, of rich cream,
ghost-white in shade, and outside
the midsummer gold, humming of dandelions.
To run back and forth, into the chill again,
the sweat of slate, a cake of butter
set on a green leaf—out once more
over slab of stone into hot light, hot
wood, the swinging gate!
A spire we think ancient split the blue
between two trees, a half-century old —
she thought it ancient.
Her father’s hall, her mother’s bower,
nothing was dull. The cuckoo
was changing its tune. In the church
there was glass in the windows, glass
colored like the world. You could see
Christ and his mother and his cross,
you could see his blood, and the throne of God.
In the fields
calves were lowing, the shepherd was taking the sheep
to new pasture.
Julian perhaps
not yet her name, this child’s
that vivid woman.
4
God’s wounded hand
reached out to place in hers
the entire world, ‘round as a ball,
small as a hazelnut.’ Just so one day
of infant light remembered
her mother might have given
into her two cupped palms
a newlaid egg, warm from the hen;
just so her brother
risked to her solemn joy
his delicate treasure,
a sparrow’s egg from the hedgerow.
What can this be? the eye of her understanding marveled.
God for a moment in our history
placed in that
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